Beyond proof of concept: The work that comes after validation

min read

Why audience validation is only the beginning of building sustainable, impactful media projects

Media innovation rarely starts with numbers or business plans. It begins with a feeling that something important is missing—and with people who care enough to try to fix it. During the latest Validation Booster cycle, I worked with several media teams that carried that kind of motivation. Among them, two stood out for how clearly their journeys revealed what early-stage media development really looks like in practice.

The Mental Health Podcast from Montenegro, led by Đurđa Radulović, and the Menopause Platform from Bulgaria, created by Svetla Todorova and Elena Witbergg, grew out of silence—out of topics that exist in many people’s private lives but rarely in public conversation.

Both projects stepped into that silence with empathy and intention. And both quickly proved that their ideas mattered. They built trust, created meaningful content, and connected with audiences who had been waiting for someone to speak directly to their needs.

Their early results were strong. Each project attracted a committed community. Each validated the urgency of the problem it aimed to address. And both were selected among the Top 10 finalists invited to pitch their ideas to potential partners and donors.

But what made these projects particularly instructive was how clearly they revealed the difference between validating that a problem exists and understanding how to address it sustainably.

When communities respond, something important shifts

The first time Đurđa Radulović released her pilot episode on mental health, she was met with something every creator hopes for but never expects—genuine, heartfelt reactions.

Đurđa Radulović

Young people shared their own struggles, parents thanked her for opening conversations they didn’t know how to start at home, and mental health professionals volunteered to join future episodes. The engagement was immediate and deeply felt.

In Bulgaria, the Menopause Platform saw a similar response. Women who had spent years searching for trustworthy information wrote in to say they finally felt understood. The messages were long, thoughtful, and deeply personal. The audience was not just consuming content; it related to it.

These early signals showed that both projects had touched something essential. They confirmed that the needs were real and that the teams behind these projects were offering something genuinely valuable.

But validation has layers, and each layer asks different questions

As the teams continued their research, another dimension of validation emerged. Audience enthusiasm, while essential, tells only part of the story. It confirms that a problem is real and that the content resonates. But it does not yet tell us how the idea can grow, sustain itself, or who might support it in the long term.

Both projects began exploring these questions with openness and curiosity. They learned that understanding user needs is one thing, and understanding user behaviour is another. They saw that sustainability requires its own set of experiments, often slower and less visible than content validation. And they recognised that this next chapter demands a different kind of patience and guidance.

What struck me most was how naturally they adapted to this shift. Instead of seeing it as a setback, they approached it as part of their learning. They understood that once the problem’s existence is clear, real work begins—the work of shaping a model that can carry the idea forward.

Supporting the work that comes after validation

By the end of the programme, both teams had achieved something rare: they made the invisible visible. They brought forward conversations that people needed but did not know how to start. And they built early communities around issues often left in the margins.

Their journeys also revealed what many media innovators quietly learn: after you prove that people care, you need new tools to understand how your idea can live beyond the pilot phase. This includes exploring partnerships, testing value propositions, and learning how audiences behave when faced with choices that involve commitment, time, or money.

The Mental Health Podcast and the Menopause Platform approached this phase with clarity, humility, and steady determination. It is one of the reasons they were so compelling in their final pitch presentations. They not only validated their ideas but also grew as creators and decision-makers along the way.

Svetla and Elena, Founders of Femena platform

What These Stories Reveal

The experiences of these two teams show the strength and potential of media innovation in our region. They remind us that impactful ideas often start small, in conversations that feel fragile or overlooked. And they show how much can happen when teams are given the structure, support, and confidence to test their ideas openly.

What these journeys highlight most clearly is that validation is not a single step, but a progression. First, you understand the audience; then you understand the behaviour; and then you explore how a sustainable model might form. When teams reach that second stage—when the idea is clearly validated —that is the moment when continued support becomes not only practical but necessary.

Two projects, two crucial conversations, and one shared insight: once a team has shown that a problem is worth solving, that is when the journey truly begins.

Asja Čengić Kasumović is an experienced professional in strategic communications, marketing, business planning, and advocacy with a 25-year career that spans significant roles in international organizations, the corporate sector, and state institutions. Based in Sarajevo, Bosnia and Herzegovina (BiH), she is the founder and owner of DBK Lab, a communications and marketing agency that serves clients across various industries, including IT, banking, tobacco, and nonprofits. Her experience includes serving as a communications advisor to the prime minister of the Federation BiH and in leadership roles at the United Nations BiH, High Judicial and Prosecutorial Council BiH, Sarajevo Film Festival, and the Office of the High Representative. Asja has also been instrumental as a trainer and mentor for professionals in media, communications, and marketing for the past 17 years. Her work includes developing, producing, and hosting podcasts, documentaries, and campaigns. Asja is passionate about cultural industries, business psychology, and media development. She holds a bachelor’s degree in business administration and communications from the Anglo-American University in Prague and a Master of Arts in communications from the Faculty for Media and Communication, University Singidunum in Belgrade. Additionally, she is a Gestalt psychotherapist under supervision.

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